《借名危机》是
金炳万导演的一部
非洲上映的
剧情片。该片讲述了:个人感觉,故事可以向☛☐寓言式的解构再靠一靠♧✆,反正片中一直反复提到命☵、天谴什么的,如果像银河유✏映像的电影似的(话说☳✓《毒战》与这片还真有不少相似유之处,甚至都囍有郭涛),赋予巧合一种宿命式的力✔量,也许在情感上更容☝✗易为人接受。威信与文英对✉☝豪华套房甚兴☏ㄨ奋,威信让文英洗澡,文英在浴室时紧张之ㄨ极,可是随后威信竟表示会到兄长家✉睡,文英失望。Scorsese and De Niro have been pushing each other so far for so long that audience polarisation now automatically accompanies the risk of their major-league collaboration. The King of Comedy guarantees a split even at the level of expectations: it's definitively not a comedy, despite being hilarious; it pays acute homage to Jerry Lewis, while requiring of the man no hint of slapstick infantilism; its uniquely repellent prize nerd is De Niro himself. The excruciating tone is set by an early freeze-frame of fingernails frantically scraping glass. Flinch here, and you're out, because Scorsese never does while detailing fantasist Rupert Pupkin's squirmily obsessive desperation to crash TV's real-time as a stand-up comic on the Carson-modelled Jerry Langford Show. Buttonholing its star (Lewis), then rebounding from brush-offs to hatch a ludicrous kidnap plot, De Niro's Pupkin isn't merely socially inadequate; he's a whole dimension short - happily rehearsing with cardboard cut-outs, choosing the flatness of videoscreen space for his schmucky jester's tilt at being 'king for a night'. Whereas the film itself is all unexpected dimensions and unsettling excesses, with the ambiguous fulfilment of Pupkin's dream frighteningly echoing the news-headline coda of Taxi Driver. Creepiest movie of the year in every sense, and one of the best.,想看更多的相关影视作品,请收藏我们的网站:89y.cc